Tattoo Stencil Drawing Kit Tattoo Graffiti


February 22nd, 2012

61ZZiEV387L. SL160  Tattoo Stencil Drawing Kit Tattoo Graffiti
This set contains 4 authentic tattoo colored Gel Ink pens and stencils for creating your own skin-safe temporary tattoos! Stencils measure 2-3/4x7 inches. Stencil 1: Alphabetical letters from A to N. Stencil 2: Alphabetical letters from O to Z. Stencil 3: Numbers from 0 to 9 and \$ ? & and !. Stencil 4: Classic tattoo motifs such as skull & crossbones ribbon banner heart & dagger and more. Temporary tattoos wash away with warm water and soap. Safe for skin; recommended for use below the neck. ....read more
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This set contains 4 authentic tattoo colored Gel Ink pens and stencils for creating your own skin-safe temporary tattoos! Stencils measure 2-3/4x7 inches. Stencil 1: Alphabetical letters from A to N. Stencil 2: Alphabetical letters from O to Z. Stencil 3: Numbers from 0 to 9 and \$ ? & and !. Stencil 4: Classic tattoo motifs such as skull & crossbones ribbon banner heart & dagger and more. Temporary tattoos wash away with warm water and soap. Safe for skin; recommended for use below the neck. ....read more

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Get Important Tips – Pencil Drawing Tips on Shape Balance


September 10th, 2011

Pencil Drawing Tips on Shape Balance

Composition refers to the relationship of a number of elements that constitute a drawing. The positioning of shapes is one of those elements.

A viewfinder is a see-through adjustable piece of cardboard that lets you frame and isolate certain parts of the composition you are trying to realize. It is an invaluable tool to plan your composition.

You can easily construct a viewfinder as follows:

From a piece of cardboard, cut two identical L-shaped forms.

Join the two pieces together using two paper clips so that they form a square frame.

Because we used two pieces it is now possible to adjust the window of your viewfinder to the size of the scene you want to view.

For the purpose of composing a drawing we must take into account not only the positive shapes (the objects themselves) but also the negative shapes. In addition, you also must see all those shapes in relation to the dimensions of your drawing paper.

With your viewfinder as an aid you can now apply some or all of the following guidelines:

1. As already pointed out, be aware of the format of your paper when placing your shapes.

2. Throughout your drawing effort be constantly aware of the location of your chosen focal point.

3. Unify not only the positive spaces but also do the same for the negative spaces.

4. Two equally sized shapes should be positioned more or less the same distance away from the focal point. When one object is much smaller than another then the small object should be proportionately further away from the focal point than the larger one. Thus, in the end, the focal point should approximately function as the centroid of your drawing.

5. Generally speaking, a shape-unbalanced drawing or painting will look inharmonious and produce discomfort for the viewer. If this is not your intention you should improve the shape balance. On the other hand, unbalancing your shapes is a good way to purposely create an uncomfortable tension in your work.

6. Objects and/or subjects are best arranged asymmetrically relative to the focal point.

7. For some reason, it is more pleasing to the eye to see a group of an odd number of shapes than a group of an even number of shapes.

8. Your shapes should be arranged in such a way that the eye is always being led back to the focal point.

The few guidelines should give you a good start in your handling of shapes. However, remember not to apply the rules too strictly. Give your intuition and natural ability plenty of room when composing your next masterpiece.

How to draw with pencil and beginners oil painting tips published on these top quality educational web sites.

For the tips about tattoo tips – read this blog.

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Are Tattoos Healthy For You?


April 27th, 2010

Research has shown that many people are getting tattoos to enhance their physical appearance. Whether it is a small marking on the back of your neck or a very visible symbol across your forearm, there is no denying that tattoos are gaining prominence in the mainstream culture. However, some people still have reservations about getting tattoos, either due to the misconceived implications or their general lack of knowledge about the topic.

There are many reasons why people get tattoos. Some say that that they signify courage and strength within a person’s character, since the user must obviously have a high pain tolerance level to willingly let multiple tattoo needles pierce through their skin. Others say that they are able to express themselves creatively through tattoos. They are able to stand out from a crowd and form a unique identity of their own.

When Thomas Edison invented his version of an engraving machine in 1870, he never imagined that it would have a completely different use two decades later. Yet, after some minor modifications, his original invention transformed into what is commonly known as a tattoo gun. Yes, the same machine used to engrave pictures and words on inanimate objects also serves a similar function on a human’s body.

Contrary to popular belief, getting a tattoo is a relatively painless process. Thanks to the modern invention by Thomas Edison, the tattoo machines are designed to reduce the pain afflicted by moderate amounts. This is a huge improvement over the previous tattooing technique, which involved taking a hammer and literally pushing the ink onto the individual’s skin.

The tattoo machine operates with two needles. The first one involves tracing the outline of the tattoo. This is typically drawn in black or any other colour as the user desires. The second needle is used for the actual colouring process, as in filling out the colours within the outlines. The needles are designed so that the bottom base is wider.

With that said, there are still some health risks involved in getting a tattoo. First and foremost, you should always confirm the cleanliness of the tattoo equipment so that it follows the standard safety guidelines. Make sure all the machines and needles are sterilized to avoid possible infection. Also, each tattoo needle should only be used once, so this is one item that you definitely don’t want to recycle!

The prospect of needles might scare off some people, but the actual tattooing process is quite simple and efficient. Basically, the tattoo machine has a single needle, which injects ink onto an individual’s body by piercing through their skin. Afterwards, another needle is used to apply colouring ink onto the design. The needle itself has a tiny opening at the base, which is the place where the ink flows out.

Getting a tattoo is a healthy process as long as you ensure the cleanliness of the equipment. As long as you visit a tattoo parlour that you can trust, there is nothing to worry about. Tattoos can also be hugely beneficial to your emotional and social health, for you will feel more self-confident upon receiving one. Don’t hesitate – tattoo now!

If you are looking for healthy tips for living or our healthy tips for living blog relating to tattoo articles then please check out our site.

Advice on Pencil Portrait Sketching – Muscular Forms That Build the Smile


January 27th, 2009

A smile is the consequence of happiness. It lifts and extends the lower face and the uplifted cheeks will often crease the flesh just below the eyes resulting in the so-called “crow’s feet”.

To recognize the makings of a smile in its numerous manifestations we must first recognize the underlying anatomy.

Below we list the 3 major muscles that add to a smile:

* The Zygomaticus Major – is the main “muscle of happiness”. This elongated muscle begins at the front area of the Zygomatic Arch (cheek bone) and attaches to the node.

When the zygomaticus major contracts it bulges and lifts the cheek while further deepening the Nasolabial Furrow or smile-line.

* The Malaris – rests on top of the zygomaticus major and is a extended, ribbon-like deep-seated muscle. It begins at the temple and attaches to and forms the lower half of the nasolabial furrow.

The malaris is the cheek muscle. It heaves up the cheek in an outwards and backwards direction making it swell and giving it the puffy cheek look.

* The Buccinator – quadrilateral muscle forms the “cheek pad”. It begins on the rear, inside of the jaw and attaches to the “corners” of the mouth.

When smiling the buccinator contracts thus heaving at the corners and extend the mouth.

As the mouth is extended and heaved by both the zygomaticus major and buccinator the lips are stretched and flattened. So is the chin. The philtrum is shortened and the nostrils flare somewhat.

Below are still other minor muscles that add to the smile:

1. The Risorius – is a strange muscle because not everyone has one. Some people only have a risorius on one side of their face. Other people have a large, expansive triangular shaped one.

The Risorius begins in the fatty tissue of the Masseter (whose action is made use of mainly for chewing) and attaches to the node of the mouth.

The risorius subtly heaves the node backwards and up. Its effect is mainly noticed in gentle smiles.

2. Incisivus Labii Superioris and Inferioris Superioris – The superioris does the lifting. These thing, band-like muscles begin just above the incisor tooth area and also insert into the node.

When fully shrunk, a puckering up of the lips (a kiss) is produced.

3. The Levator Labii Superioris is a narrow, quadrilateral muscle whose effect on the smile is somewhat restricted.

But, the upper part of this muscle adds to the volume of the cheek and the nasolabial furrow.

Over the 3 major muscles goes the most complicated of all the facial muscles, the Orbicularis Oris which operates throughout a large range of movements and expressions.

During a smile the lower eyelids are also pressed upward. This is the result of a secondary action where the Orbicularis Oculi (the muscle of the eye socket) contracts.

The nasolabial furrow is deepened as it is simultaneously heaved and pressed upward and outwards. It is best to understate the sharp fold of the nasolabial furrow otherwise the smile will degenerate into a scowl.

As the node of the mouth is heaved out and upward the flesh is gathered into delicate vertical ridges.

The interstice of the mouth curves upward, stretching and flattening the lips while reducing the philtrum. The nostrils of the nose also extend as they are heaved outwards.

The upper portion of the nasolabial furrow is produced by a slender, three-part muscle called the Levator Labii Superioris Alaeque Nasi. This is the muscle that produces wrinkles in the nose during sniffing.

The parts of this muscle are the furrow section which attaches to the upper part of the nasolabial furrow; the alar section which inserts under and behind the wing of the nose (Alae Nasi); and the lip section which inserts continuously into the ridge just above the upper lip and to the philtrum.

When rendering the nasolabial furrow be careful not to over-do it. A subtle suggestion is all that is needed. Otherwise your lovely smile will quickly degenerate into a scowl.

With this we have detailed and discussed the most essential muscles that are involved in the smile. This should put you on the right path for appreciating the anatomy of the smile.

Do you want to learn the secrets of pencil portrait sketching? Download my brand new free pencil portrait drawing tutorial here: portrait drawing course.

Remi Engels is a pencil portrait artist and oil painter and practiced sketching teacher. See his work at graphite pencil portraits.

Please also pay attention to how to tattoo info – old art that has been together with human beings for ages and is still very popular.

Koi Fish Speed Drawing Video


November 16th, 2008

Speed Drawing Koi Fish

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